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Givens Foundation | Black Market Reads


Black Market Reads is a menu for Black literary consumption and all of its spin-offs. Featuring Black artists who love to read and write and engage in arts and culture.

To listen to episodes and find great additional content about our authors and their work, visit our website (https://blackmarketreads.com/).

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PRODUCER: The Givens Foundation for African American Literature
PRODUCTION SERVICES: iDream.tv

SEASON TWO - FOUR: Hosted by Lissa Jones

SEASON ONE: BMR was originated by Tana Hargest on behalf of The Givens Foundation, HOSTED BY Erin Sharkey and Junauda Petrus of Free Black Dirt, and other guest hosts as introduced, MUSIC: Sarah White - Through People [M¥K Remix]

Black Market Reads is made possible through the generous support of our individual donors, Target Foundation, and the voters of Minnesota, through a Minnesota State Arts Board Operating Support grant thanks to a legislative appropriation from the arts and cultural heritage fund.

For more information about the Givens Foundation, visit their website. (http://www.givens.org)

Oct 15, 2015

BLACK MARKET READS interviews the quixotic and brilliant multidisciplinary artist Dean Moss who is presented his work, johnbrown, at the Walker Art Center. He was also a speaker at Convening: Resistance and Rebellion, a day-long international convening exploring the role of art in revolution presented by the Givens Foundation for African American Literature in partnership with Million Artist Movement.

Check out minute 13:04 to hear the interview from the beginning in its entirety.

johnbrown

“Mr. Moss layers national narratives and personal narratives, moving bodies and moving images, haunting songs and heated conversations in ways that leave us contemplating the future by way of the past.” —New York Times

In this dense and precisely executed work, Dean Moss creates a performative meditation on the complicated, controversial legacy of 19th-century abolitionist John Brown. Moss integrates transfixing choreography, visual design, video, theater, and community participation to question not only the turbulent past of a historical figure but also the racial, gender, and generational processes at play in the inquiry. This ambitious socio-historical critique offers a fascinating intersection of ideas, identities, and ideologies.